Kazi Nazrul Islam was conceived on Friday 24 May 1899[12][13] at 10:20 am[11] in the town of Churulia in the Asansol Sadar subdivision, Paschim Bardhaman region of the Bengal Presidency (now in West Bengal, India). He was naturally introduced to a Muslim Taluqdar family and was the second of three children and a girl. Nazrul's dad Kazi Faqeer Ahmed was the imam and overseer of the neighborhood mosque and mausoleum.[14] Nazrul's mom was Zahida Khatun. Nazrul had two siblings, Kazi Saahibjaan and Kazi Ali Hussain, and a sister, Umme Kulsum. He was nicknamed Dukhu Miañ (দুখু মিঞা truly, "the one with distress", or "Mr. Tragic Man"). Nazrul learned at a maktab and madrasa, keep running by a mosque and a dargah separately, where he considered the Quran, Hadith, Islamic reasoning, and philosophy. His family was crushed by the passing of his dad in 1908. At the youthful age of ten, Nazrul assumed his dad's position as an overseer of the mosque to help his family, and additionally helping instructors in school. He later functioned as the muezzin at the mosque.[1][15]
Pulled in to people theater, Nazrul joined a leto (voyaging showy gathering) keep running by his uncle Fazle Karim. He worked and went with them, figuring out how to act, and in addition composing melodies and lyrics for the plays and musicals.[12] Through his work and encounters, Nazrul started learning Bengali and Sanskrit writing, and in addition Hindu sacred writings, for example, the Puranas. Nazrul formed numerous people plays for his gathering, which included Chāshār Shōng ("the dramatization of a laborer"), and plays about characters from the Mahabharata including Shokunībōdh ("the Killing of Shakuni,"), Rājā Judhisthirer Shōng ("the show of King Yudhishthira" ), Dātā Kōrno ("the magnanimous Karna"), Ākbōr Bādshāh ("Akbar the head"), Kobi Kālidās ("artist Kalidas"), Bidyan Hutum ("the educated owl"), and Rājputrer Shōng ("the ruler's sorrow").[1]
In 1910, Nazrul left the troupe and selected at the Searsole Raj High School in Raniganj. Here he was impacted by his instructor, progressive and Jugantar extremist, Nibaran Chandra Ghatak, and started a deep rooted kinship with kindred creator Sailajananda Mukhopadhyay, who was his schoolmate. He later exchanged to the Mathrun High English School, contemplating under the dean and writer Kumudranjan Mallik. Unfit to keep paying his school expenses, Nazrul left the school and joined a gathering of kaviyals. Later he took employments as a cook at Wahid's, an outstanding pastry shop of the district, and at a tea slow down in the town of Asansol. In 1914 Nazrul examined in the Darirampur School (now Jatiya Kabi Kazi Nazrul Islam University) in Trishal, Mymensingh District. Among different subjects, Nazrul considered Bengali, Sanskrit, Arabic, Persian writing and Hindustani traditional music under instructors who were awed by his commitment and skill.[1][16]
Nazrul considered up to review 10 yet did not show up for the registration pre-test examination; rather, he enrolled in the British Indian Army in 1917 at eighteen years old. He had two essential inspirations for joining the British Indian Army: initial, a young want for experience and, second, an enthusiasm for the governmental issues of the time.[17] Attached to the 49th Bengal Regiment, he was presented on the cantonment in Karachi, where he composed his first writing and verse. Despite the fact that he never observed dynamic battling, he ascended in rank from corporal to havildar (sergeant), and filled in as officer for his battalion.[18]
Amid this period, Nazrul read widely crafted by Rabindranath Tagore and Sarat Chandra Chattopadhyay, and also the Persian artists Hafez, Rumi and Omar Khayyam.[19][20] He learnt Persian verse from the regiment's Punjabi moulvi, honed music, and sought after his scholarly advantages. His first composition work, "Baunduler Atmakahini" ("Life of a Vagabond"), was distributed in May 1919. His lyric "Mukti" "মুক্তি" ("Freedom") was distributed by the "Bengali Muslim Literary Journal" ("বাংলা মুসলিম সাহিত্য পত্রিকা") in July 1919.[1]
Pulled in to people theater, Nazrul joined a leto (voyaging showy gathering) keep running by his uncle Fazle Karim. He worked and went with them, figuring out how to act, and in addition composing melodies and lyrics for the plays and musicals.[12] Through his work and encounters, Nazrul started learning Bengali and Sanskrit writing, and in addition Hindu sacred writings, for example, the Puranas. Nazrul formed numerous people plays for his gathering, which included Chāshār Shōng ("the dramatization of a laborer"), and plays about characters from the Mahabharata including Shokunībōdh ("the Killing of Shakuni,"), Rājā Judhisthirer Shōng ("the show of King Yudhishthira" ), Dātā Kōrno ("the magnanimous Karna"), Ākbōr Bādshāh ("Akbar the head"), Kobi Kālidās ("artist Kalidas"), Bidyan Hutum ("the educated owl"), and Rājputrer Shōng ("the ruler's sorrow").[1]
In 1910, Nazrul left the troupe and selected at the Searsole Raj High School in Raniganj. Here he was impacted by his instructor, progressive and Jugantar extremist, Nibaran Chandra Ghatak, and started a deep rooted kinship with kindred creator Sailajananda Mukhopadhyay, who was his schoolmate. He later exchanged to the Mathrun High English School, contemplating under the dean and writer Kumudranjan Mallik. Unfit to keep paying his school expenses, Nazrul left the school and joined a gathering of kaviyals. Later he took employments as a cook at Wahid's, an outstanding pastry shop of the district, and at a tea slow down in the town of Asansol. In 1914 Nazrul examined in the Darirampur School (now Jatiya Kabi Kazi Nazrul Islam University) in Trishal, Mymensingh District. Among different subjects, Nazrul considered Bengali, Sanskrit, Arabic, Persian writing and Hindustani traditional music under instructors who were awed by his commitment and skill.[1][16]
Nazrul considered up to review 10 yet did not show up for the registration pre-test examination; rather, he enrolled in the British Indian Army in 1917 at eighteen years old. He had two essential inspirations for joining the British Indian Army: initial, a young want for experience and, second, an enthusiasm for the governmental issues of the time.[17] Attached to the 49th Bengal Regiment, he was presented on the cantonment in Karachi, where he composed his first writing and verse. Despite the fact that he never observed dynamic battling, he ascended in rank from corporal to havildar (sergeant), and filled in as officer for his battalion.[18]
Amid this period, Nazrul read widely crafted by Rabindranath Tagore and Sarat Chandra Chattopadhyay, and also the Persian artists Hafez, Rumi and Omar Khayyam.[19][20] He learnt Persian verse from the regiment's Punjabi moulvi, honed music, and sought after his scholarly advantages. His first composition work, "Baunduler Atmakahini" ("Life of a Vagabond"), was distributed in May 1919. His lyric "Mukti" "মুক্তি" ("Freedom") was distributed by the "Bengali Muslim Literary Journal" ("বাংলা মুসলিম সাহিত্য পত্রিকা") in July 1919.[1]
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